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Tuesday, March 5, 2019

A critique of a film

sidereal day by day, it is increasingly more difficult to maintain safety in our society, since interactions between people create dangers, either at high political level, or on the daily basis.We live not in the no-mans-land, so people adjust to new conditions and changing situations. Still, at that place are those, who notifynot suffer this environment and who, probably, cannot be accepted. Being busy with our education and careers, we simply learn no time to think carefully about the hidden threats of the environment, which can be really aggressive, and even destruct our bodies.In the movie Safe, sing White (Julianne Moore) lives with her husband and stepson in a comfortable suburban main office in California. Her spirit is completely predictable, and in spite of the fact that she has family with her husband, she begins feeling isolated and then drained and depressed.Mysteriously, she falls ill with weird symptoms she experiences nose bleedings, dizziness and allergies, and doctor attributes it to stress. Having passed different tests, she understand that there is postcode physically wrong with her, but nevertheless she takes medication and changes her fare, getting of the all-fruit diet and cutting back diary products.When her condition doesnt go away, she gets a recommendation to visit psychiatrist. The problem with her mind is a reason for the illness. hum finally understands the necessity, which requires of her to go to a place, where people who suffer from toxic allergies and those with support can clean themselves, and, probably, the simply place where she can feel safe.As the secret plan develops, it becomes clear that the treatment, received at hospital, is improper and probably, only worsens the situation. Hayness judgment was to show the powerlessness of traditional medical science against new illnesses, caused by external irritants, but destroy humans from inside. In the film, warble combats a real ten-headed hydra, which respond s to the new treatment courses with new painful fits of allergy. hum drives her car and endures a coughing fir she breathes in her new perfumes and feels lightheadedness. Aerobic classes, which pursue a goal of helping her relax, are initially doomed to be attempted she has never had tension in her life, she has never had close relations, so there was no ground for either extremely positive or extremely negative emotions in her life. Thus, she cannot relax, because she never experiences stresses in pure medical meaning.Moreover, the medicaments Carol receives are irritants, as they also consist of toxins or other synthetical substances. On the contrary, Dunning chooses a different direction and creates some kind of cult, or community with certain beliefs, values and philosophy. People living there convalesce there attachment and new system of coordinates, in which it is possible to rate their illness and cope with related inner problems.It is possible to notice that by the end of the movie, she becomes increasingly more shattered, and probably her sickness breaks her and makes her re-evaluate the relationships which had existed in her life before she fell ill. She has a husband, bad hasnt given consume to children, because Carol endures the existence of a domestic plant, which should be carefully irrigate and supplied with the necessary nourishment, but whose opinion weighs like any plants opinion.It is possible to note that her first steps were determined (or, at least, exceedingly influenced) by her husband. To my view, her sickness is a force which makes her re-think her existence and understand that she had had only mechanical relationship with her husband, who even doesnt try to understand her and waste conversations with her friends, carpenter and drycleaner.The scene, which reinforce her sense of nobodiness is one where she looks at her husband from the go to bed and asks Where am I? At the moment?. He answers that she is in Carol and Gregs h ouse, but she begins to cry, because this lush house has never belonged to her as healthy as her own life.

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