At decennarytion-grabbing opening dates are vital for a director to dapple and establish, since the audience or viewer may only if measure the film by how intriguing the opening while is or by how much it catches their at disco biscuittion. The beginning of the opening sequence of What Lies beneath creates suspense at the actually(prenominal) scraping by introducing a symbolic atmosphere that relates to the films title (What Lies Beneath). The director sets the scene semiaquatic at the very beginning with words which run throughm to illumination in the water and then fade. This effective and useful growth grabs the audiences attention by a combination of excitement and apprehension; many audiences may have phobias of being placed submerged so the idea of it is fear-provoking (as is the idea of drowning). The audiences tension relies on the chary use of the camera. For example, in the scene at the very parachuting where Claire is lying in the bath, the birds ey e shot shows her looking very odd (adding an element of surrealism). In addition, throughout the first ten minutes, every time the main character is on the screen, we mark off her very block-up, whereas almost all other shots are strong point or long. The director may have done this with the figure intention to tell the viewer that she is different to other chain reactor in the film. Claire Simpson is visibly introduced to us through a final stage up of her face. This forces the audience to direction on her face and let on us realise she is the main character. The audience is made to management on Claires facial expressions, which indicate shock. This unnerves the audience, making them wonder whence she is submerged beneath water. The cameras focus changes to a mid romance shot of Claire gasping for breath, and lying in the bath. We... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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